KESENIAN TRADISIONAL DI ERA KOMODIFIKASI BUDAYA: PERGESERAN MAKNA MAGIS-RELIGIUS DALAM KESENIAN JARANAN

Authors

  • M. Syahrul Ulum Institut Agama Islam Negeri Kediri, Indonesia

DOI:

https://doi.org/10.30762/empirisma.v29i2.169

Keywords:

Jaranan, Semiotics, Commodification of Culture

Abstract

Through tourism, especially cultural tourism, cultural dynamics turmoil also occurs in tourist destinations. This is be cause there is an inevitable tug-of-war between culture on the one hand and tourism on the other hand. Cultural traditions represent the expression of tradition and tourism represents modernity (economy).In general, cultural traditions have a tendency to preserve and tourism as the industry wants to maximize its business activities for profit. This research is more focused on the study of cultural practices which a focus on the discussion of Roland Barthes’s semiotics on the traditional art of jaranan. The results of this study can be concluded that Barthes’s semiotic analysis of the commodification of culture in jaranan art experiences a variety of forms and dance offerings that be conceptualized as profit-making. The concept of withdrawal is very clearly seen by the shift in religious magical meanings from sacred to profane in every performance.

Downloads

Download data is not yet available.

References

Barthes, R, Mitologi, Terj.Nurhadi dan A.Sihabul Millah, Yogyakarta: Kreasi Wacana, 2006.

Endraswara, S, Mistik Kejawen, Sinkritisme, Simbiolisme, dan Sufisme Dalam Budaya Spiritual Jawa, Yogyakarta: Narasi, 2007.

Hadi, S, Sosiologi Tari, Yogyakarta: Pustaka Pelajar, 2005.

Mugianto, S dalam Awwuy, T.F, Tiga Jejak Seni Pertunjukan Indonesia, Jakarta: Ford Foundation dan MSPI, 2004.

Picard, M, Bali, Pariwisata Budaya dan Budaya Pariwisata (Terj). Jakarta: Kepustakaan Populer Gramedia – Forum Jakarta-Paris, Ecole Francaise d'extreme-orient, 2006.

Sobur, A, Semiotika Komunikasi, Bandung: Rosda, 2004.

Soehartono, I, Metode Penelitian Sosial: Suatu Teknik Penelitian Bidang Kesejahteraan Sosial

dan Ilmu Sosial Lainnya, Bandung: Remaja Rosdakarya, 2008.

Storey, J, Cultural Sudi dan Kajian Budaya Pop: Pengantar Komprehensif Teori dan Metode,Yogyakarta: Jalasutra, 2010.

Sudarsono, Jawadan Bali: Dua Pusat Perkembangan Drama Tari Tradisional di Indonesia, Yogyakarta: Gajah Mada University Press, 1972.

Sudarsono, R.M, Seni Pertunjukan Indonesia di Era Globalisasi, Jakarta: Direktorat Jenderal Pendidikan Tinggi Departemen Pendidikan

dan Kebudayaan, 1998.

Jurnal Pemikiran dan Kebudayaan Islam Vol. 29 No. 2 Juli 2020 87-102

Surbakti, A, “Komodifikasi dalam Pariwisata Hegemoni Budaya Populer”, dalam Jurnal Kajian Budaya Vol. 3 No.6, 2006.

Downloads

Published

2020-07-30

How to Cite

M. Syahrul Ulum. (2020). KESENIAN TRADISIONAL DI ERA KOMODIFIKASI BUDAYA: PERGESERAN MAKNA MAGIS-RELIGIUS DALAM KESENIAN JARANAN. Empirisma: Jurnal Pemikiran Dan Kebudayaan Islam, 29(2), 87–102. https://doi.org/10.30762/empirisma.v29i2.169